Produced by Bristol sound co-founder the musician-producer, this scabrous if undernourished debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to break into his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Darkly Funny Duel
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Nevertheless, a darkly funny standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of cider, determined to dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Sensibility
Just a single key story turn, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
The film releases in UK and Irish theaters from 17 November.
